Publications and Conference Participation

Books:

Edited Books

  • Arnold Schoenberg in Words: Selected Teachings, Letters, and Other Writings (1890- 1951),set of 9 volumes, co-edited with Severine Neff, work in progress (Oxford University Press). 

    Volumes for this project:

    • Editor, Schoenberg in the United States: Correspondence with Composers, Publishers, Performers and Students (working title). 
    • Co-Editor with Ethan Haimo, Arnold Schoenberg’s Early Correspondence,1890-1907, work in progress.    

Music Edition

  • Arnold Schoenberg and Allen Anderson, My Horses Ain’t Hungry, critical edition for Belmont Music Publishers, co-edited with Severine Neff (Pacific Palisades: Belmont Music, 2007)

Refereed and Invited Articles:

  • "Henry Cowell und Arnold Schönberg: Eine unbekannte Freundschaft," in: Archiv für Musikwissenschaft, 55/1, 1998, pp. 57-71
  • "Dane Rudhyar on Arnold Schoenberg: About European Seeds in America," in: 20th Century Music, 6/2, 1999, pp. 13-17
  • "Schoenberg and the Cinematic Art," in: The Musical Quarterly, 38/1, Spring 1999, pp. 93-113 -- "Schoenberg and America," in: Schoenberg and His World, ed. Walter Frisch (Bard Festival Series, Volume 10, Princeton: University of Princeton Press, 1999), pp. 285-336
  • "Serving Two Masters: Leonard Rosenman's Music for Films and for the Concert Hall," in: 21st Century Music, 7/5, 2000, pp. 19-25
  • "Klanggeographie -- Klanggeometrie. Der US-amerikanische Komponist John Luther Adams," in: MusikTexte. Zeitschrift für neue Musik 91, November 2001, pp. 4-14
  • "Losing Control: Indeterminacy and Improvisation in Music Since 1950," in: NewMusicBox. American Music Center Web Magazine, 3/11, 2002
  • "Zur Rezeption von Schönbergs Schaffen in Amerika vor 1933," in: Journal of the Arnold Schönberg Center, July 2002, pp. 281-293
  • "Pierrot lunaire in America," in: Chamber Music, 21/5, 2004, pp. 36-40
  • "Meister der elektronischen Tondichtung: Der U.S.-amerikanische Komponist Ingram Marshall" in: MusikTexte 105, Spring 2005 pp. 21-30
  • "Etwas Unvorhersehbares tun - Zur Bedeutung der Improvisation im Schaffen von John Cage," in: MusikTexte 106, Summer 2005, pp. 63-71
  • "Edgard Varèse, Ecuatorial," in Die Ausbreitung der neuen Musik, 1925-1945, ed. Albrecht Riethmüller (Handbuch der Musik im 20. Jahrhundert, Vol. 2, Laaber: Laaber Verlag, 2006) pp. 170-177
  • "Olivier Messiaen, Quatuor pour la fin du temps," in: Die Ausbreitung der neuen Musik, 1925-1945, ed. Albrecht Riethmüller (Handbuch der Musik im 20. Jahrhundert, Vol. 2, Laaber: Laaber Verlag, 2006), pp. 277-283
  • "Leonard Bernstein, Symphony No. 1 'Jeremiah,'" in Die Ausbreitung der neuen Musik, 1925-1945, ed. Albrecht Riethmüller (Handbuch der Musik im 20. Jahrhundert, Vol. 2, Laaber: Laaber Verlag, 2006) pp. 293-298
  • "Varèse and His New York Choruses," in: Edgard Varèse (1883-1965), ed. Felix Meyer and Heidy Zimmermann (New York: Boydell & Brewer, 2006)
  • "Varèse und seine New Yorker Chöre," in: Edgard Varèse, ed. Felix Meyer and Heidy Zimmermann (Mainz: Schott, 2006), 257-263
  • "Dika Newlin (1923-2006): A Remembrance," in: NewMusicBox. American Music Center Web Magazine, 24 July 2006
  • “Komponieren mit urbanen Klängen. Die U.S.-amerikanische Komponistin Annie Gosfield,” in: MusikTexte 115, 2007, 5-15.
  • “Serving Two Masters: Leonard Rosenman’s Music for Films and for the Concert Hall,” in:The Cue Sheet, 23/1-2 2008, 31-45 (revised version).
  • “Arnold Schoenberg – Modernist or Romantic?” Engaged Romanticism: Romanticism as Praxis, ed. Mark Lussier and Bruce Matsunaga (Newcastle upon Tyne:Cambridge Scholars Press, 2008), 196-207.
  • “John Cage and Improvisation: an Unresolved Relationship,” Musical Improvisation: Art, Education and Society, ed. Gabriel Solis and Bruno Nettl (Urbana: University of Illinois Press, 2009), 38-51.
  • “Echoes of Schoenberg’s Pierrot lunaire in America,” I feel the Air of Another Planet: Schoenberg’s Chamber Music, Schoenberg’s World, ed. James K. Wright and Alan Gillmor (Hillsdale: Pendragon, 2009), 169-186.
  • “Arnold Schoenberg in America Reconsidered: A Historiographic Investigation,” in the following two volumes:
  • Music’s Intellectual History: Founders, Followers and Fads, Proceedings of the First International Conference of Répertoire International de Littérature Musicale, ed. Zdravko Blazekovic and Barbara Dobbs Mackenzie (New York: RILM, 2009), 409-426
  • The Fruits of Exile – Central European Intellectual Emigration to America in the Age of Fascism, ed. Richard Bodek and Simon Lewis (University of South Carolina Press, 2010), 102-126
  • “John Luther Adams – An Avant-garde Composer in Alaska,” Beyond the Centres: Musical Avant-Gardes Since 1950. In memoriam Yannis Andreou Papaioannou (1910–1989),     ed. Kostas Chardas and Danae Stefanou (Thessaloniki: Aristotle University, 2010).
  • “Schoenberg Reception in America, 1933-1951,” in The Cambridge Companion to Arnold Schoenberg, ed. Joseph Auner and Jennifer Shaw (Cambridge: Cambridge University Press, 2010), 247-257         
  • “Play It Again,” The Journal of Music, March 2011, online article            http://journalofmusic.com/article/1202
  • “Music as Place, Place as Music: The Sonic Geography of John Luther Adams,” The Music of John Luther Adams, ed. Bernd Herzogenrath (Lebanon, NH: University Press of New England, forthcoming 2011), 28 manuscript pages
  • “Championing Schoenberg’s Chamber Music in America, 1933-1951 – Performances at Black Mountain College and Beyond,” Music at Black Mountain College: Writings and Reminiscences, ed. Jonathan Hiam (Hillsdale: Pendragon, forthcoming)
  • “The City as Muse: Annie Gosfield’s New York City Soundscapes,” Kongressbericht: Musik – Stadt: Traditionen und Perspektiven urbaner Musikkulturen, Gesellschaft für Musikforschung, Leipzig, 28 September-3 October 2008 (Leipzig: Gudrun Schröder    
    Verlag, forthcoming).

Encyclopedia Articles:

Article in: The New Grove Dictionary of Music and Musicians II, second edition, ed. Stanley Sadie and John Tyrell (London: MacMillan, 2000):

    "Pinkham, Daniel (Rogers)"

Articles in: Die Musik in Geschichte und Gegenwart, ed. Ludwig Finscher, (Personenteil, Kassel: Bärenreiter Verlag, 2002 and 2004):

    "Globokar, Vinko"

    "Monk, Meredith"

    "Oliveros, Pauline"

    "Subotnick, Morton"

    "Teitelbaum, Richard"

    "Wolff, Christian"

Articles in: Lexikon der Violine, ed. Stefan Drees (Laaber: Laaber Verlag, 2003):

    "Kolisch, Rudolf,"

    "Krasner, Louis"

    "Zukofsky, Paul"

Articles in: Das Lexikon des Klaviers, ed. Christoph Kammertöns and Siegfried Mauser (Laaber: Laaber-Verlag, 2005):

    "Bauer, Harold"

    "Buhlig, Richard"

    "Cowell, Henry"

    "Crumb, George"

    "Joplin, Scott"

    "Sultan, Grete"

    "Steuermann, Eduard"

Articles in: Lexikon der Orgel, ed. Hermann J. Busch, Matthias Schneider and Matthias Geuting (Laaber: Laaber Verlag, forthcoming in 2007):

    "Biggs, Edward Power"

    "Fox, Virgil"

    "Sowerby, Leo"

Articles in Die Musik in Geschichte und Gegenwart, ed. L. Finscher, Supplement-Volume (Kassel: Bärenreiter Verlag, 2008):

    “Curran, Alvin”

    “Gosfield, Annie”         

    “Marshall, Ingram”   

     “Newlin, Dika”

Article in: The New Catholic Encyclopedia, Supplement, ed. R. Fastiggi (Farmington Hills, MI: Cengage Learning, 2011)


            “Schoenberg, Arnold”

 

Articles in: The New Grove Dictionary of American Music, second edition, ed. Charles H. Garrett (New York: Oxford University Press, forthcoming):

            “Adams, John Luther”
            “Curran, Alvin” (revision)
            “Dunn, David”
            “Greissle, Felix”
            “Marshall, Ingram” (revision)
            “Pinkham, Daniel” (revision)
            “Oliveros Pauline”
            “Schoenberg, Arnold”
            “Sultan, Grete”
            “Teitelbaum, Richard” (revision)
            “Wolff, Christian” (revision)

Reviews:

  • "Amerikanismus, Americanism, Weill. Die Suche nach kultureller Identität in der Moderne, ed. by Hermann Danuser and Hermann Gottschewski (Edition Argus, 2003," in: Notes. The Quarterly Journal of the Music Library Association, June 2004, 970-972
  • "British American Symphony. Neil Butterworth, The American Symphony. Aldershot and Brookfield, Vermont: Ashgate, 1998," 21st Century Music, 7/10, 2000, pp. 25-26
  • “A Windfall of Musicians. Hitler’s Émigrés and Exiles in Southern California. New Haven: Yale University Press, 2009,” Notes. The Quarterly Journal of the Music Library Association 66, no. 3 (March 2010), 559-561.
  • “Eisler, Hanns. Briefe 1907-1943. Gesamtausgaben Serie IX Schriften Band 4.1 ed. Jürgen Schebera and Maren Köster. Wiesbaden: Breitkopf & Härtel, 2010.” Notes.The Quarterly Journal of the Music Library Association (December 2011) 366–367.

Published Bibliography:

  • John Luther Adams: Selected Discography - Selected Bibliography - Catalog of Works, in: John Luther Adams, Winter Music. Composing the North (Middletown: Wesleyan University Press, 2004), pp. 185-198

Liner and Program Notes:

  •  “Some Remarks on Luc Ferrari’s Music,” CD Liner Notes for Mode Records, 2010.
  • “Morton Feldman’s Trio,” CD/DVD Liner Notes for Mode Records 216, 2009.
  • "Exploring the Art of Duetting," notes for an ASU faculty recital (10 April 2007), a recital in Nuremberg, Germany (May 2007) and for Cavalli Records, Bamberg, Germany, 2007, with Carole Fitzpatrick, soprano, Robert Barefield, baritone, Eckart Sellheim, piano
  • Exploring the Art of Solo Writing: Luciano Berio's Sequenze and Nine Other Works Mode Records 161-164, 2006
  • "Toward 'una nota sola': Notes on Giacinto Scelsi's World of Ideas and Piano Music" forthcoming Liner Notes, Mode Records 144, 2005
  • "Iannis Xenakis: Six Chansons for Piano," Liner Notes, Mode Records 80, 2005
  • "On John Luther Adams and on In the White Silence," Liner Notes New World Records 80600-2, 2003
  • "The Indeterminate Music of Morton Feldman," Liner Notes, Mode Records 103, 2002
  • Program Notes, Chamber Music Concert of the Houston Friends of Music, The Shepherd School of Music, Rice University, Texas: "The Jacques Thibaud String Trio Playing Beethoven, Schoenberg, Bach, Mozart and Dohnányi," 17 January 2002
  • "The Piano Works of Giacinto Scelsi," Liner Notes, Mode Records 92, 2001
  • Program Notes, Chamber Music Concert of the Houston Friends of Music, The Shepherd School of Music, Rice University,Texas: "The American String Quartet Playing Haydn, Beethoven and Schoenberg," 14 September 2001
  • "Iannis Xenakis: Complete Works for Piano," Liner Notes, Mode Records 80, 2000
  • "Ray Green and His Music (Solo Piano and Chamber Music)," Liner Notes, American Music Edition, AVL 96307, 1999
  • "Program Notes, Bard Music Festival: Schoenberg in America," Lincoln Center, New York City, 20 November 1999

Conference Participation International Conferences:

  • Paper, “Music as Eco-Criticism: John Luther Adams’s Creative Activities in Alaska,” Creative Americas. Crossed Perspectives on Discourses and Practices, International Conference, University of Toulouse, France, 6-7 October 2010
  • Paper, “John Luther Adams – An Avant-garde Composer in Alaska,” Beyond the Centres: Musical Avant-gardes Since 1950, Aristotle University, Thessaloniki, Greece, 1-5 July 2010
  • Paper, “Composing the North: John Luther Adams’s Sonic Geography,” Annual Conference, Society for American Music, Ottawa, Canada, 17-21 March 2010
  • Paper, “Composing the North: John Luther Adams’s Sonic Geography,” Annual Conference, Society for American Music, Ottawa, Canada, 17-21 March 2010,.
  • Paper, “Defying Constructions of Female Gender: Annie Gosfield’s Galvanizing Industrial Soundscapes,” International Conference for Feminist Theory and Music, 27-31 May 2009, University of North Carolina, Greensboro, refereed.
  • Paper, “The City as Muse: Annie Gosfield’s New York Soundscapes,” 14th International Congress “Music – City. Traditions and Perspectives of Urban Music Cultures,” Gesellschaft fürMusikforschung, Institut für Musikwissenschaft, University of Leipzig, Germany, 28 September-3 October 2008
  • Paper, “Arnold Schoenberg – American,” Annual Meeting of the American Musicological Society, Quebec City, Canada, 1-4 November 2007
  • Panelist, "Negotiating Three Identities: Arnold Schoenberg's Strategies of Acculturation in America," 18th International Congress of the International Musicological Society, University of Zurich, Switzerland, 10-15 July 2007
  • Panelist, "Arnold Schoenberg: Modernist or Romantic? "Engaged Romanticism: Romanticism as Praxis," International Conference on Romanticism, Arizona State University, Tempe, forthcoming 9-12 November, 2006
  • Panelist, "Schoenberg Reception in America, 1933-1951," "Festival On the Hill," International Conference on the Musical Legacy of North Carolina's Black Mountain College, University of North Carolina, Chapel Hill, forthcoming, 30 March- 2 April, 2006
  • Panelist, "Arnold Schoenberg's Strategies of Acculturation and Dissimilation in America: Negotiating Three Identities" at 37th Annual Conference of the Association of Jewish Studies, Washington, D.C., 18-20 December, 2005
  • Organizer, "New Directions in Schoenberg Scholarship," Schoenberg Conference, Arizona State University, 21-22 March 2005
  • Panelist, "Echoes of Schoenberg's Pierrot lunaire in American Music," "New Directions in Schoenberg Scholarship," International Conference, Arizona State University, 21-22 March 2005
  • Panelist, "Arnold Schoenberg in America Reconsidered: A Historiographic Investigation," Music's Intellectual History: Founders, Followers and Fads, First International Conference of Répertoire International de Littérature Musicale, CUNY Graduate Center, 17-19 March, 2005
  • Panelist, "Arnold Schoenberg in America Reconsidered: A Historiographic Investigation," The Fruits of Exile: Central European Intellectual Emigration to America in the Age of Fascism College of Charleston, Charleston, South Carolina, 11-13 November, 2004
  • Panelist, "John Cage and Improvisation: An Unresolved Relationship," Fourteenth Musicological Congress, Helsinki, Finland, 11-14 August, 2004
  • Panelist, "Minimalism and After: The Sonic Geography of John Luther Adams," Second Biennial International Conference on Twentieth-Century Music of the Department of Music, Goldsmiths College, University of London, 1 July, 2001
  • Panelist, "Zur Rezeption von Schönbergs Schaffen in Amerika vor 1933," session at Symposium: "Schoenberg in America" at the Arnold Schoenberg Center in Vienna, 4 May, 2001

Conference Participation National and Local Conferences:

  • Paper, “The City as Muse: Annie Gosfield’s New York Soundscapes,” Annual Meeting, Society for American Music, Denver, 19-22 March 2009
  • Paper, “Arnold Schoenberg – American” Annual Meeting of the Rocky Mountain Chapter of the American Musicological Society, ASU, Tempe, 30-31 March 2007
  • Paper, “Arnold Schoenberg – American,” Annual Meeting of the Society for American Music, Pittsburgh, 1-4 March 2007
  • Panelist, "Negotiating Three Identities: Arnold Schoenberg's Strategies of Acculturation in America, Meeting of the Greater New York Chapter of the American Musicological Society, Princeton University, 6 May 2006
  • Panelist, "Arnold Schoenberg in America Reconsidered: A Historiographic Investigation," Annual Meeting of the Rocky Mountain Chapter of the American Musicological Society, University of Northern Arizona, Flagstaff, 8-10 April 2005
  • Panelist, "John Cage and Improvisation: An Unresolved Relationship," Meeting of the Rocky Mountain Chapter of the American Musicological Society, 27 March, 2004, Greeley, Colorado
  • Panelist, "'I have been most of my life with a chip on my shoulder against improvisation' - John Cage's Struggle With Improvisation," National Conference: New Directions in the Study of Musical Improvisation, 1-4 April, 2004, University of Illinois, Urbana-Champaign
  • Panelist, "Echoes of Schoenberg's Pierrot lunaire in American Music," Meeting of the Greater New York Chapter of the American Musicological Society, 24 April, 2004, Manhattan College, Riverdale, New York
  • Chair, Session: "Anechoically-Recorded Musical Instruments and PatchMorph" with Lawrence Fritts and Christopher Ewing, National Seamus Meeting (Society for Electro-Acoustic Music in the United States), 15 March, 2003
  • Chair, "I'm an Old Cowhand - Bing Crosby's Western Songs," session with Benjamin Sears and Bradford Conner, National Meeting of the Society for American Music in Tempe, 28 February 2003
  • Panelist, "The Reception of Schoenberg's work in America before 1933," session at the Meeting of the Greater New York Chapter of the American Musicological Society, at New York University, 16 October 1999
  • Chair, "Schoenberg in Vienna and America," symposium with Leon Kirchner, Leonard Rosenman and Reinhold Brinkmann at the Bard Music Festival at Lincoln Center, New York City, 20 November 1999
  • Chair, "Schoenberg in Hollywood" session with David Raksin, Leonard Stein, Patricia Carpenter at the Bard Music Festival "Schoenberg and His World," Annandale- on-Hudson, NY, 22 August 1999

Guest Lectures, Addresses and Interviews:

  • “Schoenberg’s Survivor from Warsaw,” Columbia University, New York City,6 December 2011
  • “What Schoenberg’s Correspondence Tells Us: His Epistolary Friendships with Adolph Weiss,Nicolas Slonimsky and Dika Newlin,” Keynote Address, Symposium “Schoenberg in Words:Teachings, Writings, Correspondence,” University of North Carolina, Chapel Hill,23 September 2011
  • ¨Interview about Schoenberg’s New World with BBC U.K. featured on “Music Matters,” June 2011
  • "Schoenberg and Pierrot lunaire," Columbia University, New York, 18 April, 2007.
  • Commemoration of Dika Newlin," Dika Newlin Life Celebration," First Unitarian Universalist Church of Richmond, Virginia, 16 September 2006.
  • "Negotiating Three Identities: Arnold Schoenberg's Strategies of Acculturation and Dissimilation in America," Goethe-Institut Boston, "Beethoven and Schoenberg" Lecture Series of the Boston Symphony Orchestra and the Music Department of Harvard University, 8 February, 2006
  • "John Cage and Improvisation: An Unresolved Relationship," Bucknell University at Lewisburg, Pennsylvania, 27 October, 2003
  • "John Cage and Improvisation: An Unresolved Relationship," Wesleyan University at Middletown, Connecticut, 31 October, 2003
  • "The Reception of Schoenberg's work in America before 1933," University of Tennessee at Knoxville, 16 April 2002
  • "Improvisation in New Music, 1950-1980," University of California, Davis, 15 March 2002
  • "Improvisation in New Music, 1950-1980," Bard College, Annandale-on-Hudson, New York, 26 September 2000
  • "Concepts of Improvisation in New Music," College of Arts and Science at New York University, 16 April 1999
  • "Schoenberg and the Cinematic Art," State University of New York at Stony Brook, 27 February 1998
  • "Zur Rezeption von Schönbergs Schaffen in Amerika vor 1933," Freie Universität Berlin, 19 November 1998